The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

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Filtering by Tag: San Francisco Chronicle

Emperor Norton Does Art Criticism With a Borrowed Jackknife — And the Crowd Loves It

By 1861 — and for the 18-plus-year remainder of his reign — Emperor Norton was a favorite and enduring subject for San Francisco cartoonists and theater troupes, who found that local audiences enjoyed the good-natured lampooning of their Emperor.

The Emperor himself was less amused — and, there are a couple of oft-cited examples of the Emperor’s expressing his royal displeasure over how he was portrayed in these contexts.

Recently, we uncovered an “episode of displeasure” that is even better documented than the familiar examples.

The occasion was the mounting of an advertisement using Emperor Norton’s image on a construction fence at Montgomery and California Streets. The Emperor borrowed a jackknife; cut out the image of himself; and sliced the image to shreds.

The crowd, as they say, “went wild.”

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Joshua Norton's First Public Moves in San Francisco Appear to Support His Claim of a November 1849 Arrival

Emperor Norton claimed to have arrived in San Francisco in November 1849, on a ship from Rio de Janeiro.

After the Emperor’s death, Theodor Kirchhoff — a friend of the Emperor’s who was a German poet and essayist — supplied a name for the ship: the Franzeska. (Actually, Kirchhoff said “Franzika” — but, that’s a small point.)

All of the Emperor’s major and minor 20th-century biographers ran with this narrative — even though it never has been independently documented.

Norton's San Francisco arrival narrative remains undocumented — BUT...

Here, we present our discovery of two previously unreported episodes from Joshua Norton’s first several months in San Francisco that appear to support his claim to have arrived in San Francisco in November 1849 — even if they don’t put him on the Franzeska:

  • Norton’s paid notice of a temporary business address in early May 1850, a few weeks before he arrived at what usually is regarded as his first recorded business address, and — even earlier —

  • what may be Norton’s signature on a February 1850 open letter published in the Daily Alta newspaper.

Joshua’s signature on the open letter would make this letter the earliest known newspaper reference to Joshua Norton in San Francisco.

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The "Eyes of the Emperor" in 1879

The Emperor Norton Trust previously has documented 16 Proclamations of Emperor Norton on various aspects of “the Chinese question” — the latest being published in April 1878, just 2½ weeks before the Emperor’s highly publicized sand-lot encounter that month with the anti-Chinese demagogue Denis Kearney.

But, we’ve discovered three new pieces of evidence, from 1879, indicating that — for nearly 2 years after his encounter with Kearny, and right up until his death in 1880 — the Emperor continued to make good on his 1873 pledge and warning that “the eyes of the Emperor will be upon anyone who shall council [sic] any outrage or wrong on the Chinese” [emphasis in the original].

This evidence includes:

  • a second encounter between Emperor Norton and Denis Kearny, in January 1879, in which Kearney snarkily addressed the Emperor from his sand-lot platform;

  • an anti-Kearney public comment by the Emperor on the same day, at one of the freethinking, reform-minded discussion forums he regularly attended — a discovery that provides an opportunity to add a pin to the Trust’s interactive Emperor Norton Map of the World; and

  • a September 1879 editorial comment in the Sacramento Daily Bee, bearing witness to the Emperor’s ongoing reputation as what the Bee disparagingly called “Protector of China”

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Is the Clock Tower of the San Francisco Ferry Building Based on the Bell Tower of a Cathedral in Spain?

In connection with The Emperor Norton Trust’s recent proposal that the San Francisco Ferry Building’s clock tower be named “The Emperor Norton Tower” next year — the 125th anniversary of the Ferry Building — we’ve been doing some additional research into the design and construction of the building and its tower.

The Ferry Building opened in 1898, and one of the chestnuts that has been repeated about the building for most of its lifetime — increasingly so in the period after World War II — is the claim that the design of the clock tower is “based on” — or “modeled after” — or “patterned after” the 12th-century bell tower, known as La Giralda, of the Seville Cathedral in Spain.

Some commentators have gone so far as to say that the Ferry Building clock tower is a “replica” of the Giralda.

But, the historical and visual record reveals the Ferry Building tower’s architectural debt to the Giralda to be significantly less than these unqualified claims suggest.

Read on for a well-documented, highly illustrated deep-dive.

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Emperor Norton's Friend the Butcher

There are many contemporaneous references to Emperor Norton’s associations with various people and places.

But, the Emperor was a public character. And, the accounts of his engagements with particular people mostly are accounts of conversations and sightings in public places: libraries, lecture halls, churches, saloons, parks, resorts, trains, ferries, streets.

Much rarer are eyewitness reports of Emperor Norton in more intimate settings, such as someone’s home.

Herein, a trace memoir of the Jewish friend who had the Emperor home for dinner on more than one occasion — and documentation of who the friend was.

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Did Emperor Norton Really Live at the Eureka Lodgings on Commercial Street for 17 Years?

The received wisdom, since the time of Emperor Norton’s death in January 1880, has been that the Emperor lived at his final and most famous San Francisco residence — the Eureka Lodgings, at 624 Commercial Street between Montgomery and Kearny — “for seventeen years.”

That was the phrase that a number of San Francisco papers used in their obituaries and funeral notices. The most influential Norton biographers of the twentieth century extrapolated from this that the Emperor lived at the Eureka from 1863 to 1880. And, now, this claim is firmly ensconced as one of the most oft-invoked tenets of the biographical catechism of Norton I.

But, the directories of the period don’t support an 1863 arrival date.

Rather, they suggest that the Emperor might have taken up his room at the Eureka Lodgings as late as summer 1865.

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Lockhart & Porter, Undertakers and Casket Makers to the Emperor in 1880

The two book-length biographies of Emperor Norton, published in 1939 and 1986, mention “the undertakers” and “the undertaking rooms.” But, a blind spot in Norton studies has been that there was a specific firm — with a name and an address — that provided funeral and burial services for the Emperor, including manufacturing the oft-mentioned rosewood and silver-trimmed casket.

We know that the Emperor’s old friend, James G. Eastland, and friends of Eastland’s at the Pacific Club raised the money and made the arrangements — but, rarely mentioned is who was on the other side of the contract.

The obituaries didn’t name the firm. And, the name appears to have been mentioned only a couple of times by later writers — in 1946 and again in 1974. But, even these were only passing mentions.

Here, we rescue from obscurity the name and the early history of a business that played a crucial role in giving Emperor Norton a fitting farewell.

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The Emperor Norton Rooms of 1961

In spring 1961, two establishments opened in San Francisco.

One was a hotel bar on Geary Street. The other was a lunch spot and cocktail lounge on Maiden Lane.

Both were less than two blocks from Union Square.

One was created by a designer who went on to be celebrated in the pages of the Architectural Digest. It had an "Emperor Norton" doorman. And, per Herb Caen, it once was host to Jack Dempsey and Lefty O'Doul — sharing a bowl of peanuts on the same night.

The other was home to a new portrait of the Emperor commissioned by the San Francisco Chronicle.

Both were called the Emperor Norton Room.

Here’s the intriguing story of two Nortonian stars that briefly rose and just as quickly fell in the same San Francisco season.

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