The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

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Filtering by Tag: George Washington II

The Emperor Norton Cartoon That Got the Jump on Jump

Ask any careful student of the Emperor Norton story to name the most famous early cartoonist of the Emperor and they are likely to single out Edward Jump (1832–1883). They would be right about that.

They might go on to credit Jump as the first artist to depict Emperor Norton with the dogs Bummer and Lazarus. About this they would be wrong.

It's true that, in the early 1860s, Jump created three cartoons that featured the Emperor and the dogs in the same scene — and that these cartoons have been influential in associating the Emp with Bummer and Lazarus in the popular imagination.

But, Jump was not the first artist to make this connection. 

That distinction goes to someone who was not even a cartoonist by profession — but whose lithographed and published cartoon, apparently sold as a standalone sheet, showing Bummer and Lazarus sitting near Emperor Norton predates by as much as a year or more Jump's earliest cartoon showing these characters together.

This is the story of the artist and the cartoon that appear to be Edward Jump's conceptual influencer.

That we are aware, this is the first time the story has been told.

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Emperor Norton in the Artistic Taxonomy of Antonio Sotomayor

The Emperor Norton mural in The Pied Piper, at the Palace Hotel, in San Francisco — painted by the city’s longtime “artist laureate,” Antonio Sotomayor (1904–1985) — is one of the best-known and -loved Emperor-themed works of art.

A newly discovered art-historical survey done for the San Francisco Arts Commission in 1953 offers an elusive date for the painting — and a new way of seeing it.

Includes rarely seen photographs.

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Oofty Goofty Wore a Leather Pad in His Pants

Accounts of Emperor Norton often note that he is the most famous of a larger cast of Public Characters that peopled the streets of San Francisco during his lifetime.

But, with the exception of Frederick Coombs a.k.a. George Washington II, the biographical particulars of these Characters — legal names; dates of birth and death; and exactly when, and for how long, they were in San Francisco — often are left in clouds of ambiguity.

As it happens, one of the most famous Characters mentioned in connection with Emperor Norton didn’t even arrive in San Francisco until three or four years after the Emperor’s death.

Harvested from contemporaneous newspaper accounts, this timeline of five of the Characters most often associated with Emperor Norton — The Money King; George Washington II; The Great Unknown; The King of Pain; and Oofty Goofty — fills in many biographical blanks and finds surprising new details about the careers of these legendary figures.

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