The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

Filtering by Tag: Edward Jump

The "Emperor Norton" Trees of Mariposa and Calaveras

Some years ago, I happened upon a lengthy newspaper article — from the 1890s, if memory serves — with a list of honorarily named California redwoods. One of the trees carried the name “Emperor Norton” — so, I made a mental note and resolved to return to this “detective ground” in the future.

Recently, I was delighted to find photographic evidence of an “Emperor Norton” tree: an apparently unpublished stereocard by Eadweard Muybridge, dated 1868, showing a man in a deep bow before a redwood with an "Emperor Norton" sign affixed to it. 

The Bancroft Library, which has the card, identifies the site of Muybridge's scene as "Probably in the Mariposa Grove, near Yosemite Valley."

In my effort to confirm this detail, I found multiple references — from the period between 1867 and 1910 — to "Emperor Norton" trees in both of the noted redwood sections of Yosemite: the one in Mariposa County and another in Calaveras County.

The evidence strongly suggests that the tree in Muybridge's stereograph is in Calaveras.

High-resolution image included. 

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The Emperor Norton Cartoon That Got the Jump on Jump

Ask any careful student of the Emperor Norton story to name the most famous early cartoonist of the Emperor and they are likely to single out Edward Jump (1832–1883). They would be right about that.

They might go on to credit Jump as the first artist to depict Emperor Norton with the dogs Bummer and Lazarus. About this they would be wrong.

It's true that, in the early 1860s, Jump created three cartoons that featured the Emperor and the dogs in the same scene — and that these cartoons have been influential in associating the Emp with Bummer and Lazarus in the popular imagination.

But, Jump was not the first artist to make this connection. 

That distinction goes to someone who was not even a cartoonist by profession — but whose lithographed and published cartoon, apparently sold as a standalone sheet, showing Bummer and Lazarus sitting near Emperor Norton predates by as much as a year or more Jump's earliest cartoon showing these characters together.

This is the story of the artist and the cartoon that appear to be Edward Jump's conceptual influencer.

That we are aware, this is the first time the story has been told.

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Emperor Norton Was a San Francisco Fixture Within 3 Years of Declaring His Reign

From the time that Joshua Norton publicly declared and signed himself “Norton I, Emperor of the United States” in his Proclamation published in the San Francisco Daily Evening Bulletin of 17 September 1859, there was a more or less steady pulse of newspaper publications of his subsequent Proclamations — as well as newspaper reports of activities and sightings of the new Emperor.

But, at what point was there evidence of a separate public consciousness that this “Emperor Norton” might be a new character that was here to stay — a public awareness of the Emperor’s early ubiquity and fame?

When did Emperor Norton start to go meta?

Here, we document the earliest signs of local awareness that a new player had arrived on the urban stage.

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Emperor Norton Does Art Criticism With a Borrowed Jackknife — And the Crowd Loves It

By 1861 — and for the 18-plus-year remainder of his reign — Emperor Norton was a favorite and enduring subject for San Francisco cartoonists and theater troupes, who found that local audiences enjoyed the good-natured lampooning of their Emperor.

The Emperor himself was less amused — and, there are a couple of oft-cited examples of the Emperor’s expressing his royal displeasure over how he was portrayed in these contexts.

Recently, we uncovered an “episode of displeasure” that is even better documented than the familiar examples.

The occasion was the mounting of an advertisement using Emperor Norton’s image on a construction fence at Montgomery and California Streets. The Emperor borrowed a jackknife; cut out the image of himself; and sliced the image to shreds.

The crowd, as they say, “went wild.”

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Dating the Earliest Extant Photograph of Emperor Norton

It appears that the earliest known photograph of Emperor Norton is a little earlier than we thought — and earlier than anyone else has said.

The case for the time frame that we focus on here draws on early artistic depictions of the Emperor and on one of the Emperor’s earliest sartorial choices, which is documented in an easy-to-miss newspaper item from May 1860.

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