The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

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Filtering by Tag: 1862

The Emperor Norton Cartoon That Got the Jump on Jump

Ask any careful student of the Emperor Norton story to name the most famous early cartoonist of the Emperor and they are likely to single out Edward Jump (1832–1883). They would be right about that.

They might go on to credit Jump as the first artist to depict Emperor Norton with the dogs Bummer and Lazarus. About this they would be wrong.

It's true that, in the early 1860s, Jump created three cartoons that featured the Emperor and the dogs in the same scene — and that these cartoons have been influential in associating the Emp with Bummer and Lazarus in the popular imagination.

But, Jump was not the first artist to make this connection. 

That distinction goes to someone who was not even a cartoonist by profession — but whose lithographed and published cartoon, apparently sold as a standalone sheet, showing Bummer and Lazarus sitting near Emperor Norton predates by as much as a year or more Jump's earliest cartoon showing these characters together.

This is the story of the artist and the cartoon that appear to be Edward Jump's conceptual influencer.

That we are aware, this is the first time the story has been told.

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Daily Alta's Interest & Influence in Milking Emperor Norton for Comedy Was Well–Known at the Time

Although Joshua Norton was perfectly serious in declaring himself Emperor in 1859, it generally is agreed that the San Francisco Daily Evening Bulletin published his original Proclamation as a joke.

It didn’t take long for other newspapers — in San Francisco, yes, but eventually across California and Nevada — to get in on the game of burlesquing the Emperor with fake stories about — and fake proclamations by — him.

William Drury may have been the first, in his 1986 biography of the Emperor, to point out that the Daily Alta California — in particular, the Alta’s city editor Albert S. Evans, pen name "Fitz Smythe" — was the real "pacesetter" in this, taking the mantle from the Bulletin and fully milking the comic potential of the Emperor’s persona.

Recently, I stumbled upon a couple of pieces of evidence — not mentioned in Drury’s account — that other newspapers at the time recognized the Daily Alta and Evans as tops in the field!

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From 60 Miles to the East, A Newspaper Foreshadows Emperor Norton's Role as Defender of the Chinese

In February 1868, Emperor Norton issued his first extant Proclamation in defense of the Chinese.

A year before that, in February 1867, an anti-Chinese riot in San Francisco prompted a San Francisco correspondent to a paper in Stockton — 60 miles to the east of San Francisco — to suggest that Emperor Norton was better-positioned than the San Francisco Mayor to lead on the Chinese question.

Did the Emperor and the correspondent know one another from before?

Had they traded their views on the Chinese question?

Did they influence one another on this issue?

Very likely, both men were regular visitors to the same building on Post Street between 1862 and 1867. This would have created the opportunity for them to meet and befriend one another.

If so, the operative question is: What did they talk about?

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Emperor Norton Was a San Francisco Fixture Within 3 Years of Declaring His Reign

From the time that Joshua Norton publicly declared and signed himself “Norton I, Emperor of the United States” in his Proclamation published in the San Francisco Daily Evening Bulletin of 17 September 1859, there was a more or less steady pulse of newspaper publications of his subsequent Proclamations — as well as newspaper reports of activities and sightings of the new Emperor.

But, at what point was there evidence of a separate public consciousness that this “Emperor Norton” might be a new character that was here to stay — a public awareness of the Emperor’s early ubiquity and fame?

When did Emperor Norton start to go meta?

Here, we document the earliest signs of local awareness that a new player had arrived on the urban stage.

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Joshua Norton, Pioneer

In Colville’s San Francisco directory of 1856, Joshua Norton listed his “office” address as Pioneer Hall — the Society of California Pioneers’ headquarters and clubhouse on Portsmouth Square, San Francisco.

Joshua declared bankruptcy in 1856, so his living arrangements might have been unstable. But, he was affiliated with a Masonic lodge during this period — while he was not a member of the Pioneers.

So why did he list himself at Pioneer Hall rather than Masonic Hall (on Montgomery Street)?

Here’s a closer look at this episode, in which — apparently — Joshua Norton and the Pioneers were drawn into one anothers’ orbits and revealed things about one another in the process.

Includes a rarely seen 1861 photograph of Pioneer Hall after the Society had added “Pioneers” signage to the top of the building.

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Emperor Norton vs. the Rev. Mr. Hammond

Edward Payson Hammond was a celebrity preacher — a Billy Graham of his day.

Today, Hammond is much less well-known in the annals of American religion than his crusading contemporary, Dwight Lyman Moody.

But, in the 1860s and 1870s, E.P. Hammond was a phenomenon.

In February 1875, Hammond brought his traveling revival road show to San Francisco for what turned out to be a two-month stand.

To get preaching gigs like this, Hammond claimed to produce hundreds — even thousands — of “conversions” everywhere he went.

To gin up these numbers, Hammond’s stock-in-trade was badgering tiny children into believing that they were evil sinners in danger of hellfire.

Emperor Norton was not down with this — and, he found a way to say so in a Proclamation that was published on both sides of San Francisco Bay in March 1875.

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The Pantheonic Statuette of Norton I

It’s well known that souvenir photographs and lithographs of Emperor Norton were sold in San Francisco shops during the Emperor’s lifetime.

Norton biographer William Drury takes it considerably further to claim that, by the early 1870s, there was a whole cottage industry of “Emperor Norton statuettes, Emperor Norton dolls, Emperor Norton mugs and jugs, Emperor Norton Imperial Cigars” — and even that there were peddlers hawking Emperor Norton merch at his funeral.

I find no evidence to support much of what Drury asserts — but…

In 1877 — a couple of years before Emperor Norton died in 1880 — a German immigrant jeweler and sculptor in San Francisco created a highly accomplished statuette of the Emperor that deserves a much closer look than it has received.

Although there is no ready evidence that this nearly-two-foot-tall statuette was sold in shops, there is evidence to suggest that it was a fixture in San Francisco saloons — and even that the Emperor himself had a copy in his apartment.

Among other things, I document here the three known copies of the statuette and offer a glimpse into the life and work of the sculptor.

There even are cameo appearances from historians of Ancient Rome and the Oxford English Dictionary.

It’s a fascinating story, previously untold.

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The Time Emperor Norton Was a "Pepper" Too

On Christmas Eve 1862, at the Royal Polytechnic Institute, in London, the Institute’s director, John Henry Pepper, debuted his theatrical refinement of a reflection illusion that came to be known as “Pepper’s ghost.”

The sensation had made it to the United States by the early 1870s — probably initially being performed as a sideshow attraction.

But, on the evening of 26 December 1879, the resident company of the Metropolitan Theater in Sacramento, Calif., used what they called “the Pepper Mystery” to dramatize the Emperor Norton.

It was a commonplace in the 1860s and ‘70s for theater troupes in San Francisco and elsewhere in California to burlesque the Emperor for laughs. But, it seems as though this performance might have been a little different.

Did members of the audience at the Metropolitan all slap their knees at the sight of an ethereal Emperor Norton on the stage? Or did some shed a quiet tear for the passing of an era that too quickly was slipping through their fingers?

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Recovering Emperor Norton’s 1861 Proclamation Against Privateering

In June 1861, Emperor Norton issued a Proclamation against privateering — which basically was state-sanctioned piracy.

Recently, we discovered — or, more accurately, recovered — an image of the Emperor’s handwritten manuscript of the Proclamation that was published in a tiny magazine of California history in 1956. The print copy of the relevant issue of the magazine is at the San Francisco Public Library and was scanned and added to the Internet Archive in 2014.

We’ve not yet been able to determine whether the Proclamation was published. What seems clear, though: The existence of the Proclamation flew under the radar between 1861 and 1956; the publication of the manuscript in 1956 made little or no impression; and the Proclamation has continued to fly under the radar for the nearly 70 years since.

We’re delighted to be able to bring it back to the surface now.

One reason why this Proclamation is of interest: It offers a possible clue for explaining the still-undocumented claim that Emperor Norton called for a “League of Nations.”

Also included in this article: Details about the pioneer San Francisco bookseller Jefferson Martenet (1826–1906), whose preservation of the Norton manuscript in a personal scrapbook made it possible for us to find the manuscript in 2022.

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Emperor Norton's Friend the Butcher

There are many contemporaneous references to Emperor Norton’s associations with various people and places.

But, the Emperor was a public character. And, the accounts of his engagements with particular people mostly are accounts of conversations and sightings in public places: libraries, lecture halls, churches, saloons, parks, resorts, trains, ferries, streets.

Much rarer are eyewitness reports of Emperor Norton in more intimate settings, such as someone’s home.

Herein, a trace memoir of the Jewish friend who had the Emperor home for dinner on more than one occasion — and documentation of who the friend was.

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The Secret History of One of Emperor Norton's Favorite Free-Lunch Haunts

In his 1986 biography of Emperor Norton, William Drury leaned heavily into anecdotal stories forging an association between the Emperor and Martin & Horton’s, a saloon at the southeast corner of Montgomery and Clay Streets, San Francisco, that was known as a hub for editors and reporters — and also for having one of the better free-lunch counters.

But, it turns out that, in addition to Martin & Horton’s, the building on this corner — which was directly across Clay Street from where the Transamerica pyramid now stands — housed a second saloon — a spot that also was known for its good food and drink, and for catering to the journalists and writers who covered the Emperor in their papers.

Which begs the question: Was Emperor Norton a regular at one saloon? — the other? — or both?

Jumping off from a well-known photograph of the Montgomery and Clay building after it suffered a fire in November 1862, the following research documents in some detail the overlapping histories of these two saloons and their proprietors — whose businesses had space in two different buildings on this corner between 1854 and 1887.

It’s a fascinating story.

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Did Emperor Norton Really Live at the Eureka Lodgings on Commercial Street for 17 Years?

The received wisdom, since the time of Emperor Norton’s death in January 1880, has been that the Emperor lived at his final and most famous San Francisco residence — the Eureka Lodgings, at 624 Commercial Street between Montgomery and Kearny — “for seventeen years.”

That was the phrase that a number of San Francisco papers used in their obituaries and funeral notices. The most influential Norton biographers of the twentieth century extrapolated from this that the Emperor lived at the Eureka from 1863 to 1880. And, now, this claim is firmly ensconced as one of the most oft-invoked tenets of the biographical catechism of Norton I.

But, the directories of the period don’t support an 1863 arrival date.

Rather, they suggest that the Emperor might have taken up his room at the Eureka Lodgings as late as summer 1865.

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The Emperor Was Not Amused

Ostensibly, this is a piece about our recent discovery of a Proclamation in which Emperor Norton, in 1867, prohibited unauthorized stage depictions of himself.

But, a theater’s offending play and the Emperor’s response are the bread of the sandwich on offer here. The real meat is a brief history of the varied theatrical/“amusement” enterprises and their producers/impresarios that, over the course of a decade or so in the 1850s and ‘60s, occupied the second floor of the building where the play was staged — a building just around the corner from the Emperor’s imperial digs on Commercial Street in San Francisco.

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